There is always hidden meaning to deals - the Google-YouTube deal is no exception. Why YouTube sold is pretty easy - $1.65 billion ain't bad for 20 months work and it would have taken at least $50-100 million from Sequoia Capital, their venture backers, to build the infrastructure and salesforce to build a real company. That's real money.

But what about Google? Why do it?

Google is an amazing beast. Massive growth AND huge 64% EBITDA profit margins from basically one service: serving ads on pages with search results. A $10 billion run rate and $130 billion market capitalization. As Darth Vader might say: impressive.

So why bother buying YouTube? Is this a sign of strength ("we bought them because we can turn anything into gold") or weakness (like, say, Ebay buying Skype as their auction franchise weakens) or desparation (Excite merging with AtHome). It makes a difference. On the surface, this looks like a deal from strength - video is the next frontier on the Internet, blah, blah. But really, did Google want to do it or have to do it?


Despite continued growth, Google has hinted at a few signs of weakness. One is their huge capital spending to build datacenters and servers and bandwidth capacity, dinging their cash flow. I thought the search business scaled with much less investment. Maybe not.

And second, Google actually paid for traffic - $1 billion to Dell over 3 years for a crummy toolbar on Dell PCs. The numbers may work, but it's kind of like Hugh Grant paying for something he would get anyway. There may still be someone in Sheboygen who doesn't know about Google. Is search now such a commodity that Google needs to pay money to keep growing?

Perhaps that is what this deal is foreshadowing. YouTube is a company whose amazing growth from zero to 100 million videos served per day is based on copyright infringement, amateurish video (I get it, don't drink Diet Coke after eating Mentos), their stomach to lose money on each video shown and a hobbled together business model to charge record labels to show music videos (we now know Paris Hilton can't sing).

If Google needed an easy to use technology to upload and then view videos (which they kinda , sorta have with Google Video), they could have paid the same $65 million that Sony paid for Grouper. Nope, we don't need your stinkin' technology, Google is paying $1.65 billion (with a "b") or 1.3% of Google's current value, for a media property. Plain and simple. But what does that even mean?

Maybe it will just be an expensive sandbox to play in. Keep it separate from Google (which they should have done with Google China), and give Chad Hurley enough rope to either keep growing and get a decent shave or hang himself. If the legal battles get ugly (and I agree with Mark Cuban, they will), they can just shut it down one Friday afternoon. But maybe losses over the next three years from YouTube, a wholly owned subsidiary of Google, will be less than the $1 billion they are pissing away paying Dell for traffic. But despite all the attempts and Yahoo's Terry Semels strategizing, real media on the Web is still just a concept.

Who are the next media moguls and to whom do they have to sell their souls for the priviledge? The $165 billion question left unanswered by this deal is: What is media anymore? Can you just slap videos up on the Web and become a younger and more vibrant Rupert Murdoch or Sumner Redstone?

(Fade to Carry Bradshaw typing on her laptop in every dopey episode of Sex and the City.)

Posted by Sessilia at 9:20 AM | Permalink | Comments

Wal-Mart bans employees from accepting even a cup of coffee from suppliers, according to today’s Wall Street Journal, and the company apparently bounced two of its top marketing executives and its new ad agency because they allegedly and reportedly violated those rules.

Wining and dining have always been part of the sales, marketing and public relations stratetgies used by all kinds of organizations that sell products and services and raise funds for not-for-profit causes, but the ethics of wining and dining are being questioned in both the corporate and political worlds.

Executives want their managers to select vendors based on merit, not colleagiality and the number of NFL tickets or plane rides they’ll receive from the vendor. And political watch dog groups want politicians to pass laws based on their needs rather than in response to campaign contributions and gifts.

Such rules are needed in large bureaucracies, where abuses often get out of hand. The Securities and Exchange Commission is cracking down on brokers and mutual funds that wine and dine as well as exchange gifts, and voters in Colorado last month approved Referendum 41 that puts severe gifting restrictions on the state’s employees and their immediate families.

The question is how strict should the rules be, and are they enforceable over the long term? At what point will people just ignore them because they’re unenforceable and there is little risk in breaking the rules, and at what point will somebody violate the rules and get in big trouble?

At Wal-Mart, marketing executives apparently hired from outside the company allegedly didn’t buy into its corporate culture, and they’re gone, along with the ad agency they hired.

Labels: Ethics

Posted by Sessilia at 9:12 AM | Permalink | Comments

Like most computer users, members of the Department of English undoubtedly utilize Google with considerable frequency. Indeed, the ubiquity of the program is demonstrated in part by the recent emergence of "google" as a verb. When I googled "googled," for example, the program returned 166,000 "hits." Moreover, when "googling" was googled, 205,000 hits were returned, thereby demonstrating that the participial/gerundive form of the verb has even greater frequency of usage.

Having used Google on an almost daily basis, I was surprised to learn from Todd Finley, via Al Muller, that there were aspects of the program of which I was unaware. For example, when one goes to the Google home page, immediately above the box in which one enters the term to be googled are links entitled Images, Groups, News, Froogle, and Desktop. The Images link leads to a Google search page for ... images! If you need a picture of John Milton, you can quickly have your choice of the following and some 3700 more. (I don't know who John Milton Duncan is, by the way, but I liked his picture since the caption confirms my ability to read, dyslexically speaking, that is.)

Froogle provides a search engine for merchandise. Need a calligraphy pen? You can find 167 "confirmed" pens for sale, with prices ranging from $1.02 for an individual pen to $122.79 for a set of seven. What about new seats/backs for your tattered director's chairs? Multiple versions are available for $12.95 to $24.97.

Desktop, however, is the Google search engine that I found most interesting. When you download Desktop to your computer, it immediately goes to work indexing all the files on your personal computer. And if you have Outlook opened, it will also index all of the email messages that you've saved. For someone like me, who keeps a copy of everything, an ability to google my own files is of incredible value. While I might vaguely remember a memo that I sent to Todd Goodson several years ago, it's very handy to be able to google "Todd Goodson" in Desktop and instantly have access to 45 documents, with "Todd Goodson" appearing in context within a two-line blurb from the memo.

Desktop's indexing of my computer runs in the background whenever I turn the computer on. Since installing the program yesterday, when it initially indexed 375 terms, the program has now indexed 56,469 items and is still running. I'll be interested in seeing how many items it eventually indexes.

I hope that you, too, find these features of Google to be of interest. And now for my official disclaimer: I have not purchased any shares of Google's stock following its recent IPO.

Posted by Sessilia at 9:07 AM | Permalink | Comments

The Guns of Narrative follow pretty much the same pattern as the 1961 film The Guns of Navarone, directed by J. Lee Thompson, the maker of 49 other films such as: Cape Fear (1962), Death Wish 4: the Crackdown (1987), and Firewalker (1986). The plot: to take out the big German gun overlooking the Aegean Sea (which requires lots of little guns or at least one clever gun to do the trick). In the film, a team of commando types -- Gregory Peck, David Niven, Anthony Quinn, and a few more scale the mighty Navarone cliffs and undo the Big Gun of the Big Guy with the spicy help of Gia Scala. Like J. Luc Godard said, "All you need for a movie is a girl and a gun."

True enough, it seems every film and tv drama show carries the same dopey trope. "He's got a gun, she's got a gun, we've all got guns." And that is the essence of contemporary drama. A gun provides instant conflict without reason, without background. Cut away from context, guns in films have become collector's items;(This is only a partial listing of all the films with guns and all the guns that appeared in them.) Not only do guns advance the action, the filmmakers delude themselves to believe that guns reveal the real everyday world, raw and violent, that guns also serve as the logical outcome of supernova emotional conflicts that human beings constantly evoke, and that guns are the ultimate psycho-sexual symbols of deadly penetration, rape, homoerotic attraction -- the great hand-held uber gun in a Freudian frieze. Yet, taken gun-sober, instead of gun-drunk, of the 6.5 billion people in the world, only a fraction are presently engaged in armed conflict, and most days, not everyday but most, a gun does not suddenly appear out of the nefarious nowhere to inflict insidious harm without much thought, a dozen school shootings notwithstanding.

If anything, the gun narrative in video-drama (enacted over and over again ad nauseum as if that is the only plot a person could think up) may contribute to a desperate person's sense of problem solving. (See Anderson and Bushman in Science magazine, March 2002): "Evidence is steadily accumulating that prolonged exposure to violent TV programming during childhood is associated with subsequent aggression."

The first use of the word "gun" in English appeared in reference to a great gun, a cannon, in 1346, so the written record, imaginative and otherwise, is fairly recent and brief compared to the time it took for Dinosaur extinction some 65 million years ago. The first reference of handgun or pistol penetrating the written corpus, according to the OED, occurred in 1744 as in -- "Then surely you had needs ride with guns" -- which, as it turns out, became unwitting but literal advice for 20th century filmmakers and TV story people.

Of the technological imperative behind the gun, like in "Have technology will use it," there have been instances of technology going extinct as in the 8 track tape and dust buster, but it seems the gun imperative (like all weapons) has some staying power. Perhaps it is in the will and ease with which it can be used, projectiles over great distances, thus distancing the object of fear, but ironically becoming more fearful because of the distance. For the storyteller, it may be the same -- the will and ease with which the gun can be used in a narrative, penetrating the great distance between audience and the screen.

Are we better for this kind for storytelling? Once something comes into being, even in narrative, it's difficult not to use it. Ask any 8 year-old boy to make a movie, and he might, and probably will, include a gun onscreen. It is the first thing we reach for. The diabolical phrase "When someone says Kultur, I reach for my gun," attributed to Nazi-types like Heinrich Himmler and Hermann Goering, sounds like the TV bumper-sticker of today. The more accurate phrase has even a darker portent and sounds a little bit more subtle like what a filmmaker would do; "When I hear of culture … I release the safety-catch of my Browning" from Hanns Johst's 1933 play Schlageter (Act I, Sc 1), performed on the occasion of the Fuhrer's birthday. See Johst, depicted here, receiving a literary prize in 1935.

In these fearful days of war, of school shootings, blood-bath films, and forensic TV dramas, perhaps we can take a step into a new direction and lead the way with storytelling, instead of following the way. Taking the advice of satirist Jimmy Sands, writing for The Blanket: a Journal of Protest and Dissent, I believe we can: "When I hear the word 'gun,' I reach for my culture."

Labels: The Guns of Narrative

Posted by Sessilia at 9:05 AM | Permalink | Comments

Seth Muse (1912-1976) was born in Cash Corner, NC, and became a well known Washington D.C. news photographer, a member of the White House News Photographers Association and the National Press Club. Muse took pictures of nearly all the prominent figures in North Carolina politics during his career, and his collection of photographs as part of the Seth Muse papers can now be searched online at and on site in Joyner Library. Included in the collection are photographs of Presidents Truman, Eisenhower, Kennedy, and Vice President Richard Nixon and of leaders of other countries such as Queen Elizabeth of England, and famous people such as Bob Hope, Sophie Tucker, Kim Novak, the fighter Jack Dempsey, and Evangelist Billy Graham. According to Wm. Joseph Thomas, "Seth Muse was an enthusiastic supporter of East Carolina University. ... He attended ECU in 1937, and married Dorothy Crumpler of Roseboro, N.C., a graduate of East Carolina. Their son George also graduated in 1963 from East Carolina. ... This image of John F. Kennedy with Carl Sandburg was taken on Oct 25th, 1961 at the White House." In 1960, during his Presidential campaign, Kennedy visited the ECU campus and delivered an address at Ficklen Stadium on Sept. 17.

Labels: Seth Muse

Posted by Sessilia at 9:03 AM | Permalink | Comments

Fiction writing has always come from the margins, from the out there, the other place. Whatever it took to please the king, the queen, and everyone of power in between, the "where to" and "to whom" of words are perhaps the easiest to discern. Just look at the envelope. However the "why" of words is not so easily fleshed out. The "what in the world?" in your pajamas and scratching your head in the morning phenomenon -- opening the mailbox to find the multicolored envelope addressed to "The One Who Walks Beside You" has always taken the balance out of everything.

The words and stories attributed to Scheherazade, Aesop, Uncle Remus, any Irishman of the world, any woman, any personage not at court -- all come from the radical position of outsider. Pen in hand for power, for freedom, for fame, for sex, for money, for love -- this is the rhetorical stance of fiction. Sir Walter Raleigh and Andrew Marvell wouldn't have writ a thing if not pushed by ideas embodied in the image of The Muse -- love promised, imagined, or rewarded. And many names of the familiar -- Emily Dickinson, Walt Whitman, Samuel Clemens -- all began as outsiders -- made insiders over time by academics concocting college syllabi.

Literary canon-making is a relatively young human activity -- the idea of literary canon-formation beginning in the 18th century (coinciding with the rise of the English middle class and literacy rates) had an Epic purpose -- to preserve a national identity and a national literary heritage. Post-colonial Americans, English wannabe's for so long, naturally took on the tendency to do the same thing. Coupled with other 20th century historical events, such as The Cold War, the need for a large college educated workforce had increased to the point where the imagined effect of a school textbook had actual worrisome potential. The cannon is in the textbook. Boom go the walls.

Labels: Fiction writing

Posted by Sessilia at 9:02 AM | Permalink | Comments

1) Food/Commodity Networks 2) Migrant Identities
The Southeast Asian Division of the Asian Geography Specialty Group will sponsor two sessions at the AAG meeting in Chicago. Both are rooted in an approach to area studies that seeks to problematize a traditional approach that constructs a bounded region that is the object of expert, usually outside, knowledge. Instead we see the region as constructed and arbitrary in some senses, but useful as a means of comparative learning about convergent and divergent developmental experiences, and as a way of focusing attention on particular places for both grounding theory and empirically exploring intersecting global processes. Both sessions therefore work from the notion that the region is a permeable construct, traversed by economic, political, cultural and social processes that can carry studies of Southeast Asian places to other scales and other places. We seek papers that focus on two such processes – the integration of Southeast Asia into global food and resource commodity networks, and the reworking of identities through the process of migration in and from Southeast Asia.



We hope that the sessions will also provide the basis for a social gathering of geographers working in Southeast Asia or with Southeast Asian migrant communities elsewhere in the world.

1) Globalizing Food and Commodity Networks in Southeast Asia

This session seeks to explore the ways in which Southeast Asian food systems and natural resource commodities are increasingly integrated into globalized networks of investment, trade, retailing, and regulation. Processes of interest include: certification processes for food products and resource commodities; alternative production and consumption arrangements; the expansion of European supermarket chains into SE Asia; the role of non-corporate networks in regulating linkages to global markets; agrarian change resulting from integration into globalized commodity markets; commodity chains and transformations at village and household scales.

2) Migration and Identity in/from Southeast Asia

This session explores the identity transitions and transformations that Southeast Asian migrants (and their left-behind families) undergo as a result of relocation. The movements might include rural-urban or lowland-upland migration within national boundaries, temporary (but possibly long-lasting) assignments for contract work elsewhere in Asia, or permanent settlement in North America, Europe, or Australia. How do migrants recompose and renegotiate gender/generational/ethnic/class/place identities in their new settings? How does migration rework identities in places of out-migration? What images of rural origins persist for rural-urban or transnational migrants and what are the material effects of these imaginaries? What is the future of sub-national regional identities in a context of greater mobility?

Labels: Southeast Asia Sessions

Posted by Sessilia at 8:54 AM | Permalink | Comments

Contemporary cities are undoubtedly experiencing dramatic transformations. Their topographical landscapes are being spectacularly (re-) constructed through the renaissance of docklands, the gentrification of former industrial districts, the creation of premium multi-use high-rise buildings, the creeping ‘urbanization of suburbs’ vis-à-vis edge city business districts, information super-corridors, mega-malls and ‘non-places’ like airports and vast car lots, and the punctuation of metropolitan space with elite tightly secured downtown condominiums and inner urban and suburban gated communities as well as now quite ‘distressed’ older suburbs. This sprawling fragmentary city has prompted some scholars to talk of a postmodern urbanism, a postmetropolis, or a splintering urbanism; concepts which disavow traditional mappings of the city. Moreover, if we uncover the social relations of the contemporary city – for example, how the transnational time-geographies of powerful urban actors orchestrate the city as a site of distanciated and multiple connections, and how urban life is choreographed through the territorially perforating mobilities (or the locally dependent immobilities) of people, corporations, money and information – then perhaps the very notion of the city as a bounded entity becomes less than tenable (Amin 2005).



Crucially, these fragmenting topographies and undulating topologies also raise profound questions about contemporary urban politics: in doing so perhaps forcing us to move beyond or at least investigate more systematically the spatialities of the ‘new urban politics’ of growth regimes and coalitions. For whether through the migration of people or information, trans-national moments of connection are sparking new political alliances and alternative expressions of citizenship, justice and political affiliation: ones that do not neatly fit into our conventional understandings of urban politics. On the other hand, qualitatively new territorial zones are surfacing in the form of downtown privately managed (or private-public) business improvement districts, corporate and cultural citadels, and edge city developments, often accompanied by ‘interdictory’ regimes of security designed to deter ‘quality of life’ offenders. And whether motivated by fear, hatred, or a sense of belonging, many gated housing developments are ‘privatopias’ (McKenzie 2004), featuring residential private governments that actively secede from the formal urban political process. New political boundaries and networks are thus cutting across erstwhile municipal and political lines, and thereby offering significant challenges and opportunities to progressive groups whose aim is to foster strategic and democratic metropolitan-wide governance (Dreier et al 2001).



The session will examine this emergent urban political arena inviting papers that offer theoretical development and/or specific case studies and/or comparative analysis. Potential topics include, but are not limited to:



New conceptualizations of the contemporary urban political arena
The micro-governance of economic spaces such as edge cities, business parks, mega-malls, BIDs and their relationship to the politics of ‘City Hall’, ‘democracy’, and city-regional level governance
New territorial demarcations formed out of secessionist political movements, interest groups, housing associations etc
Strategies to develop consolidated metropolitan governance
Trans-urban and trans-national political attachments, affiliations and alliances and their engagement with the (formal) urban political process
New claims to citizenship and to ‘publicness/privateness’ in urban places, whether in downtowns, gated housing estates, on roads and other corridors of transportation (‘automobility’), streets, and interstitial spaces
Urban political mobilizations that challenge the hegemonic politics of exchange value and the interdictory character of many urban ‘public’ spaces

Labels: Contemporary cities

Posted by Sessilia at 8:53 AM | Permalink | Comments

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Posted by Sessilia at 4:15 AM | Permalink | Comments

Hello canadian,

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Posted by Sessilia at 6:34 AM | Permalink | Comments

Hello canadian,

Thanks for your interest in the Attract More Business! newsletter from Richard Woodward.

Your subscription has been removed from the list of subscribers.

To renew your subscription at any time, use the subscription page.

Or send an e-mail to: attractmorebusiness-On@letters.webvalence.com

If you have comments about this newsletter, please send them to Richard Woodward.

Sincerely,
Richard Woodward

Richard Woodward & Associates PO Box 908, Bondi Junction Sydney, NSW 1355 Australia

Posted by Sessilia at 5:43 PM | Permalink | Comments

Hello canadian,

Thanks for your interest in the Attract More Business! newsletter from Richard Woodward.

Your subscription has been removed from the list of subscribers.

To renew your subscription at any time, use the subscription page.

Or send an e-mail to: attractmorebusiness-On@letters.webvalence.com

If you have comments about this newsletter, please send them to Richard Woodward.

Sincerely,
Richard Woodward

Richard Woodward & Associates PO Box 908, Bondi Junction Sydney, NSW 1355 Australia

Posted by Sessilia at 10:39 PM | Permalink | Comments